No. 9 (2022): Hryhorii Skovoroda and the Baroque World

Published: 2022-12-29

Editorial

A Few Words on the Occasion of Hryhorii Skovoroda’s 300th Anniversary

Maryna Tkachuk

1
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Articles

Hryhorii Skovoroda’s Socratic Dialogue in the Context of Modern Philosophy

Anatolii Yermolenko

2-18
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Hryhorii Skovoroda as a Liminal Hero of Ukrainian Culture

Larysa Osadcha

20-35
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Emblematic Patterns and Metaphysical Meanings of Hryhorii Skovoroda

Olexandr Soletskyi

37-67
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The Motive of Discrepancy in Hryhorii Skovoroda’s Works

Olha Petrenko-Tseunova

69-81
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Greek Content in the Work of Hryhorii Skovoroda: Intertextual Dimensions or Artistic Bilingualism of the Author?

Oksana Snigovska

83-104
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Retranslating Skovoroda’s Conversation on Happiness into English: Language and Cultural Challenges

Olena Moiseyenko , Dmytro Mazin

106-128
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“Similis Simili Gaudet”: Lavrentii Kordet and Hryhorii Skovoroda

Liudmyla Posokhova

130-146
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Skovorodynstvo and skovorodyntsi as an Alternative Sociocultural Trend (the End of the 18th and the First Half of the 19th Centuries)

Volodymyr Okarynskyi

148-164
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Multitude of Images of Hryhorii Skovoroda in the Works of Kyiv Theological Academy Teachers and Students (19th – early 20th Century)

Liudmyla Pastushenko

166-186
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“When There Is Harmony in the Family…”: From Hryhorii Skovoroda to Epigraphic Embroidery

Tetiana Brovarets

188-210
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Cordocentrism and Natural Philosophy of Hryhorii Skovoroda in the Poetry of “Silent Poets”

Olha Sharahina

212-221
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