A Word of Welcome From the Editor-in-Chief |
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Volodymyr Morenets |
v-vii |
The 1917 Break and Its Aftermath: Ukrainian Academia’s Perception and Representation of the Revolutionary Events (2007–2017) |
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Natalia Shlikhta |
197-214 |
Fear and Technology in the Theatre: Staging McLuhan |
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Roman Veretelnyk |
215-223 |
Baroque Opera on the Contemporary Ukrainian Theatre Stage: Ideas and Solutions |
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Olha Shumilina, Maryna Varakuta |
225-232 |
Insha optyka: Genderni vyklyky suchasnosti [Other Optics: Gender Challenges of Today], eds. Vira Ageyeva and Tamara Martsenyuk |
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Olena Peleshenko |
233-236 |
Identities In-Between in East-Central Europe, eds. Jan Fellerer, Robert Pyrah, and Marius Turda |
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Dmytro Yesypenko |
237-240 |
Literaturnyi landshaft Ukrainy. XX stolittia [The Literary Landscape of Ukraine. The 20th Century] by Volodymyr Panchenko |
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Oleksandra Sauliak |
241-243 |
Cossacks in Jamaica, Ukraine at the Antipodes: Essays in Honor of Marko Pavlyshyn, eds. Alessandro Achilli, Serhy Yekelchyk, and Dmytro Yesypenko |
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Ostap Kin |
245-248 |
Avant-Garde Art in Ukraine, 1910–1930: Contested Memory by Myroslav Shkandrij |
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Olena Martynyuk |
249-251 |
Revolutionary Ukraine, 1917–2017: History’s Flashpoints and Today’s Memory Wars by Myroslav Shkandrij |
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Mariia Kravchenko |
253-254 |
Wild Music Sound and Sovereignty in Ukraine by Maria Sonevytsky |
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Olga Zaitseva-Herz |
255-257 |
Henotsyd: Vstup do hlobalnoi istorii [Genocide: A Comprehensive Introduction, Ukrainian translation by Kateryna Dysa] by Adam Jones] |
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Tetiana Borodina |
259-262 |
This Is Not Propaganda: Adventures in the War Against Reality by Peter Pomerantsev |
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Mariia Shuvalova |
263-265 |